I've finished Maureen McHugh's China Mountain Zhang, her first novel and an engrossing multi-perspective future piece. The short version: China basically runs the world after a revolution in the U.S., and we've colonized Mars with climate-controlled habitat domes. But that's not what it's about. It's a character-driven story, and I loved those characters. I didn't want the book to end.
I'm now reading Ian McDonald's The Broken Land, which is probably set in one of the weirdest future Earths I've ever read. I'm not sure I can adequately describe it in brief! It has compelling characterization, too, but I'm most intrigued by the fluid manner in which McDonald switches from third to second person, from past to present tense, as suits the scene, often in mid-scene or even mid-sentence. It feels unexpected and sometimes jarring but always appropriate.
The rest of the list:
- Eyes of Fire, Michael Bishop
- The Shadow Speaker, Nnedi Okorafor
- Requiem, Graham Joyce
- Speaking in Tongues, Ian McDonald
- Stolen Faces, Michael Bishop
- Desolation Road Ian McDonald
- King of Morning, Queen of Day, Ian McDonald
I'd like to add some more of McHugh, Joyce and Okorafor's works to the list; this was just what I was able to get at my local used book store and on paperbackswap.com. Randy Henderson, a Clarion West 2009 grad, has suggested that folks also look at the Nebula Awards Showcase for 2009, edited by Ellen Datlow. I've been looking over some of Datlow's horror editing, but horror is really not my genre at all.